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2015 Cannes Critics’ Panel Day 11: Kurzel’s “Macbeth” Avoids Tragic Fate

It was last year’s most snap worthy Cannes Market one sheet image and it pretty much secured an In Comp entry the moment Marion Cotillard signed on. The actresses’ fourth consecutive year in the Palme d’Or hopefuls (Rust and Bone, The Immigrant, Two Days, One Night), actually make that five if it is followed by It’s Only the End of the World in 2016, this latest version of Macbeth comes from an Aussie director who made the most noise in the Critics’ Week section when his Snowtown (later known as The Snowtown Murders) launched Justin Kurzel into a nice sophomore gig. While some of our critics jetted out early, here is a sampling of grades to feast on.


Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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