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2011 Cannes Critics’ Panel: Day 3 – Maiwenn’s Polisse

Following 2006’s Pardonnez-moi and 2009’s The Actress’ Ball, in her third outing as a filmmaker, Maïwenn goes for the socially-minded type of a film packaged as a ensemble comedy with her misspelled titled Polisse.

Following 2006’s Pardonnez-moi and 2009’s The Actress’ Ball, in her third outing as a filmmaker, Maïwenn goes for the socially-minded type of a film packaged as a ensemble comedy with her misspelled titled Polisse. Apparently this is one more sample of actors-turned directors bringing out the best from their acting peers, Maïwenn has plenty of disgruntled and emotionally tired policemen and women who collectively have nothing to bring home to their loved ones. If you click below, this appears to be a favourite among a select few. (Note there is an error in the grid: Time Out London’s David Calhoun gave the Lynne Ramsay’s film a 3.5 (not 4) – we apologize for the error. The change will be reflected in the next grid view.)

2011 Cannes Critics' Grid Hosted by IONCINEMA.com

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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