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Cannes 2010’s Top 10 New Faces: Introducing Rudolf Frecska

I imagine it may have been easier as a first acting role to remain chilled, and keep a non-expressive, emotionless face throughout, but that would be short-selling and easily dismissing Rudolf Frecska’s debut perf — a role, that certainly alludes to characteristics of the famed Hollywood created monster and which carries a certain physicality to it and that is still an all-encompassing display of doing plenty with a very rigid character.

#6. Rudolf Frecska

I imagine it may have been easier as a first acting role to remain chilled, and keep a non-expressive, emotionless face throughout, but that would be short-selling and easily dismissing Rudolf Frecska’s debut perf — a role, that certainly alludes to characteristics of the famed Hollywood created monster and which carries a certain physicality to it and that is still an all-encompassing display of doing plenty with a very rigid character. I think that several film fests will request Kornel Mundruczó’s Tender Son – The Frankenstein Project, and I believe the director will probably use the actor on film once again – before, has since taken over the role
of Vor in Sorokin’s The Ice directed by Mundruczó, a National Theatre of Hungary theater production.  

 
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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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