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Cannes Video Day 5: Gustavo Hernandez’s La Casa Muda

This is for those who thought Paranormal Activity was the sh*t. Take note of Gustavo Hernández’s La Casa Muda (The Silent House) – a Director’s Fortnight selected title from Uruguay with the uniqueness being that the picture is filmed in one take (think Russian Ark, PVC-1) and is impressive feat when you consider that there’s a thin, but applicable narrative based on a true story. Hernández and cinematographer Pedro Luque do a great job with the lighting and the camera isn’t one of those vomit enducing shaky cam headaches, but something that allows for you to see the incremental fear and then delirium in actress Florencia Colucci’s face.

This is for those who thought Paranormal Activity was the sh*t. Take note of Gustavo Hernández’s La Casa Muda (The Silent House) – a Director’s Fortnight selected title from Uruguay with the uniqueness being that the picture is filmed in one take (think Russian Ark, PVC-1) and is impressive feat when you consider that there’s a thin, but applicable narrative based on a true story. Hernández and cinematographer Pedro Luque do a great job with the lighting and the camera isn’t one of those vomit enducing shaky cam headaches, but something that allows for you to see the incremental fear and then delirium in actress Florencia Colucci’s face. Here’s a montage of the presentation.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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