It was with hurricane-like winds rocking the outside of the Palais, that the winners were announced for the 61st edition, and surprisingly, the winners weren’t as political as what one my have thought. Sean Penn’s jury had to wait until the end of the festival to find its winner for The Palme d’Or and it was director Laurent Cantet (Heading South) who took the top honors with a portrait of a “school” year in the life of a classroom of young teens and a prof still not at wits end. With a Dardenne’s like approach that blurs docu-reality with fiction, Entre Les murs (The Class) is actually the first French film to have won the top prized festival title in more than two decades. With a behind the scenes take of a teacher’s implication and devotion to these young adults’ lives and the title role played of the teacher is played by and based on Francois Begaudeau’s own autobiographical novel, this film vibrates and feels immediate.
Two top quality Italian films received worthy honors and have renewed my faith in films from this region. The Grand Prix to Matteo Garrone’s “Gomorra” a documentary-like exploration of organized crime in Naples, look for distributors to pick this title up for the North American market, and the Jury prize was awarded to Il Divo – Paolo Sorrentino’s masterfully crafts the behind the scenes of the controversial former prime minister Giulio Andreotti.
Individual people awards were highlighted by a worthy directing award given to Nuri Bilge Ceylan, who sublimely captures a rift inside a family of three with Three Monkeys. Penn handed actress Catherine Deneuve and his Mystic River director a special prize of acknowledgement for “body of work”. Eastwood brought his two-plus hour portrait Changeling (known here at Cannes as The Exchange) into the main comp and if you’re a Clint fan then this falls around the same as his previous Oscar winning films of the last decade.
The only no-surprise category was for Best Actor: Benicio Del Toro‘s take on Che Guevara was brilliant while the two biopics weren’t among many critic’s best lists. Best Actress went to Sandra Corveloni for her role as a mother of five boys in “Linha de Passe.”
The biggest upset was the best screenplay which didn’t go to Charlie Kaufman’s highly original concept for Synecdoche, New
York, instead it went to the Dardenne bros. somewhat compelling, but also too loose immigrant story known as The Silence of Lorna.
Here is the complete list of winners:
IN COMPETTION – FEATURE FILMS
Palme
d’Or
ENTRE LES MURS de / by Laurent Cantet
Grand
Prix
GOMORRA de / by Matteo Garrone
Prize of the 61st
Festival de Cannes ex-aequo
Catherine Deneuve dans / for UN CONTE DE
NOËL de / by Arnaud DESPLECHIN
Clint Eastwood pour / for L’ÉCHANGE (The
Exchange)
Award for the Best Director
ÜÇ MAYMUN
(Three Monkeys / Les Trois Singes) de / by Nuri Bilge Ceylan
Jury
Prize
IL DIVO de / by Paolo Sorrentino
Prix
d’interprétation masculine
Benicio Del Toro dans / for CHE de / by
Steven SODERBERGH
Best Performance for an
Actress
Sandra Corveloni dans / for LINHA DE PASSE de / by Walter
SALLES, Daniela THOMAS
Award for the Best
Screenplay
LE SILENCE DE LORNA de / by Jean-Pierre et Luc
DARDENNE
IN COMPETTION – SHORT
FILMS
Palme d’Or
MEGATRON de / by Marian
Crisan
Jury Prize
JERRYCAN de / by Julius
Avery
CAMERA D’OR
HUNGER de / by Steve
McQueen (Un Certain Regard)
Mention Spéciale Caméra d’Or
VSE UMRUT A JA OSTANUS (Ils mourront tous sauf moi) de / by Valeria
Gaï GUERMANIKA (Semaine Internationale de la Critique)
UN
CERTAIN REGARD
Un Certain Regard
Prize
TULPAN de / by Sergey Dvortsevoy
Jury
Prize
TOKYO SONATA de / by Kurosawa Kiyoshi
Heart
Throb Jury Prize
WOLKE 9 de / by Andreas Drese
The
Knockout of Un Certain Regard
TYSON de / by James
Toback
Prize of Hope
JOHNNY MAD DOG de / by
Jean-Stéphane SAUVAIRE
CINEFONDATION
First Cinéfondation
Prize
HIMNON (Hymne) de / by Elad Keidan (The Sam Spiegel Film and
TV School, Israël)
Second Cinéfondation Prize
FORBACH
de / by Claire Burger (La fémis, France)
Third Cinéfondation
Prize
STOP de / by Park Jae-ok (The Korean Academy of Film Arts,
Corée du Sud)
KESTOMERKITSIJÄT (Signalisation des routes) de / by Juho
Kuosmanen (University of Art and Design Helsinki, Finlande)
DIRECTOR’S FORTNIGHT
Europa Cinemas Label award for best European film:
“Eldorado” by Bouli Lanners
“Regards Jeunes” prize:
“Eldorado” by Bouli Lanners
SACD prize for Best French-language feature film:
“Les Bureaux de Dieu” by Claire Simon
Independent cinema programmers prize the “Prix de la CICAE”:
Blind Loves by Juraj Lehotsky
CRITIC’S WEEK
GRAND PRIX
“Snow,” (Aida Becic, Bosnia-Herzegovina-Gernany-France)
SACD SCREENWRITER PRIZE
Jean-Claude Van Rijckeghem and Pat Van Beirs (“Moscow Belgium,” Belgium)
ACCID/CCAS AID
“Moscow Belgium,” (Christophe Van Rompaey, Belgium)
OFAJ/TV5MONDE (VERY) YOUNG CRITICS AWARD
“Blood Appears” (Pablo Fendrik, Argentina)
CANAL PLUS FRANCE SHORT FILM GRAND PRIX
“Next Floor” (Denis Villeneuve, Canada)
KODAK SHORT FILM DISCOVERY PRIZE
“Skhizein,” (Jeremy Clapin, France)
Fipresci Awards:
“Delta“(Kornel Mundruczo, Hungary-Germany) –
Competition; “Hunger“- Un Certain Regard; “Eldorado“(Bouli lanners,
Belgium-France) – Directors’ Fortnight
Ecumenical Award
“Adoration“(Atom Egoyan, Canada-France)
