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DVD Review: The Colors of the Mountain

Anybody wanting any lessons on how to be socially conscious without being too obviously tendentious in portraying a regional struggle in film ought to take notes, because in his full-length debut, The Colors of the Mountain, Colombian filmmaker Carlos César Arbeláez manages just that—an accomplishment made only the more astonishing by the fact that in the film Arbeláez also engages another, equally perilous narrative archetype: the loss of innocence in the face of trauma.

The Colors of the Mountain
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Anybody wanting any lessons on how to be socially conscious without being too obviously tendentious in portraying a regional struggle in film ought to take notes, because in his full-length debut, The Colors of the Mountain, Colombian filmmaker Carlos César Arbeláez manages just that—an accomplishment made only the more astonishing by the fact that in the film Arbeláez also engages another, equally perilous narrative archetype: the loss of innocence in the face of trauma.

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