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Film Review: Tony Manero

What is fascinating about character is his since of normalcy, he lacks a moral compass from which to work from and the ascension of his obsessive behavior adds unpredictability to the tone of the film. The out of focus, handheld aesthetics, muted and degraded colors add a touch of realism and vintage to the film, and for a period pic working with such a politically charged subject matter, Tony Manero takes a risky, disturbing, but rewarding road in deciphering the air of the moment.

Tony Manero


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What is fascinating about character is his since of normalcy, he lacks a moral compass from which to work from and the ascension of his obsessive behavior adds unpredictability to the tone of the film. The out of focus, handheld aesthetics, muted and degraded colors add a touch of realism and vintage to the film, and for a period pic working with such a politically charged subject matter, Tony Manero takes a risky, disturbing, but rewarding road in deciphering the air of the moment.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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