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Getting ‘Robbed’ before Cannes

I imagine that the past couple of months have been quite the thrill for indie filmmaker Joshua Safdie. After collecting accolades at South by Southwest Film Festival and riding the festival wave high of picking up an award at the Sarasota Film Festival, in a matter of one week

I imagine that the past couple of months have been quite the thrill for indie filmmaker Joshua Safdie. After collecting accolades at South by Southwest Film Festival and riding the festival wave high of picking up an award at the Sarasota Film Festival, in a matter of one week, Safdie found out that he was having his film close out the Directors’ Fortnight section at Cannes and according to the newly revamped THR, The Pleasure of
Being Robbed
is currently being sought out by IFC Films.

This feature debut (view the trailer here) follows a NYC-based young woman (co-screenwriter Eleonore Hendricks) who plays the curious and lost Eléonore who looks for something everywhere,
even in the bags of strangers who find themselves sadly smiling only well after
she’s left their lives.

Joshua will be joined by his brother Benny in Cannes this year. Benny’s short film (The Acquaintances of a Lonely John) was selected by the Quinzaine as well. Right now this is looking to b on my shortlist of films to be covered.

Pleasure of Being Robbed

 

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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