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Review: Everything Must Go

It is perhaps no surprise that a director with a TV advertising background would make a movie so fraught with product placement (a 7-Eleven Slurpee is otherwise needlessly included in a scene that, due to strategic marketing, is also featured in the trailer), and which promotes the idea of corporate salesmanship as a route to self-awakening (Ferrell’s middle-school protégé absorbs advice from ‘The Sales Bible,’ whose book-cover — more tie-in revenue? — he holds conspicuously cheated towards camera). “I’m selling everything,” exclaims Halsey, in a moment of what passes in this movie for epiphany, “and it feels great!”

Everything Must Go


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It is perhaps no surprise that a director with a TV advertising background would make a movie so fraught with product placement (a 7-Eleven Slurpee is otherwise needlessly included in a scene that, due to strategic marketing, is also featured in the trailer), and which promotes the idea of corporate salesmanship as a route to self-awakening (Ferrell’s middle-school protégé absorbs advice from ‘The Sales Bible,’ whose book-cover — more tie-in revenue? — he holds conspicuously cheated towards camera). “I’m selling everything,” exclaims Halsey, in a moment of what passes in this movie for epiphany, “and it feels great!”

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Ryan Brown is a filmmaker and freelance writer living in Brooklyn, NY. He has an MFA in Media Arts from City College, CUNY. His short films GATE OF HEAVEN and DAUGHTER OF HOPE can be viewed here: vimeo.com/user1360852. With Antonio Tibaldi, he co-wrote the screenplay 'The Oldest Man Alive,' which was selected for the "Emerging Narrative" section of IFP's 2012 Independent Film Week. Top Films From Contemporary Film Auteurs: Almodóvar (Live Flesh), Assayas (Cold Water), Bellochio (Fists in the Pocket), Breillat (Fat Girl), Coen Bros. (Burn After Reading), Demme (Something Wild), Denis (Friday Night), Herzog (The Wild Blue Yonder), Leigh (Another Year), Skolimowski (Four Nights with Anna), Zulawski (She-Shaman)

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