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Review: The Double

Character motivations, sequences of events, and that thing called plausibility are all a bit offensively slapdash, starting with a title that’s trying to infer way more than it had the brains to set out to accomplish. The tagline reads, “Keep your enemies close,” but should include, “and your clichés closer.”

The Double


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Character motivations, sequences of events, and that thing called plausibility are all a bit offensively slapdash, starting with a title that’s trying to infer way more than it had the brains to set out to accomplish. The tagline reads, “Keep your enemies close,” but should include, “and your clichés closer.”

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2021: France (Bruno Dumont), Passing (Rebecca Hall) and Nightmare Alley (Guillermo Del Toro). He was a jury member at the 2019 Cleveland International Film Festival.

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