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Review: The Loneliest Planet

“Loktev’s third film The Loneliest Planet – a mellow drama cum melodrama – is structured solely and entirely around an ‘event’ at its halfway point that entirely reconfigures how we read the film. It’s such a boldly sly move that, along with her masterfully spare sophomore film Day Night Day Night, Loktev has effectively situated herself as the twenty-first century’s (M)inimalist heir to Hitchcock.”

The Loneliest Planet


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“Loktev’s third film The Loneliest Planet – a mellow drama cum melodrama – is structured solely and entirely around an ‘event’ at its halfway point that entirely reconfigures how we read the film. It’s such a boldly sly move that, along with her masterfully spare sophomore film Day Night Day Night, Loktev has effectively situated herself as the twenty-first century’s (M)inimalist heir to Hitchcock.”

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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