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TIFF 2007 Day 6: How does it feel?

For all of you who’ve attempted the festival experience know first hand how important it sometimes is to finish a long day with a great film – it makes you want to repeat the horror of watching 5 more films the day after. Alan Balls’ Nothing Is Private (now property of Warner Independent Pictures) makes me want to push until this coming Friday for more movie magic. It’s also the type of film that will find a lot of haters but for twisted folks like moi – there was plenty to appreciate in this directorial debut.

For all of you who’ve attempted the festival experience know first hand how important it sometimes is to finish a long day with a great film – it makes you want to repeat the horror of watching 5 more films the day after. Alan Balls’ Nothing Is Private (now property of Warner Independent Pictures) makes me want to push until this coming Friday for more movie magic. It’s also the type of film that will find a lot of haters but for twisted folks like moi – there was plenty to appreciate in this directorial debut.

I'm not There Heath Ledger

The day began with a film I’ve been waiting for the better part of the past year – Todd Haynes’ I'm Not There – an original piece of filmmaking worthy of one more viewing and some Dylan text researching. Some parts lost me perhaps I'm not familiar enough with the Dylan discography, but for the most part it kept me interested. Visually the film is a trip, but 1996's Safe is still my favorite film of his. Review coming soon.

The Weinstein Co. property, there is not much in store for Death Defying Acts – a dull, paltry, family-friendly account of the famed magician offers not much when compared to the steamy stuff in The Illusionist or the bag of tricks from The Prestige.

Married Life

When making my top 5 list I’ll be overlooking this film, but Ira Sach’s Married Life is a solid ensemble piece for adult crowds especially those who love the mystery slash humor found in old Hitchcock films. Note: after a co-writing credit in I’m not There, Oren Moverman is also the co-writer on this project.

Blood Brothers Alexi Tan

The only good coming from this period set gangster piece is actress Shu Qi. But even she gets tiring. Blood Brother is damaged goods in the story department – hard to believe that common folk turn into gangster with the flick of a dime.

Nothing is Private

Remember the name and face below. Summer Bishil is a real find and Six Feet Under player Peter Macdissi does a great job at playing a demented father. In this nasty, mean-spirited film that contains plenty of morsels from American Beauty. Run time is a bit long, but for the most part this will qualify as one of my top films seen at the fest. Oh..and Aaron Eckhart  plays another great creep. Can’t wait to write my review for Nothing Is Private.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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