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The Unknown Man of Shandigor (1967) | 2021 Fantasia Film Festival Review
Cold Cuts: Roy’s Nuclear Spy Thriller Renews Its Half-Life
In The Unknown Man of Shandigor, one can experience a cinematic time capsule of corresponding themes...
2021 Giornate degli Autori: Plenty of First Features Plus Antoine Barraud, Iván Fund & Aly Muritiba
And finally it's the Giornate degli Autori folks headed by topper Gaia Furrer that have unveiled their sidebar selections. Of the ten feature films...
Edson Oda’s Nine Days Leads Dylan Dempsey’s Top 10 Films of the 2020 Sundance Film Festival
This year’s Sundance slate was one of the most diverse ever: nearly half of the 128 feature films were directed by women; 34% of...
The Conversation: Time for TIFF 2019 – Predictions!
The Toronto International Film Festival is set to unspool its latest monolithic program. A major cue to set Oscar season into motion, the line-up...
Resnais Explores a History of Violins in Doomed Love Triangle “Mélo” (1986) | Blu-ray Review
For the second-to-last feature Alain Resnais made in the 1980s, Mélo (1986) is arguably his most accessible, set in 1920s Paris and based on...
