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YES | 2025 Cannes Film Festival Review

Break My Soul: Lapid Explores Compromised Artistry During Wartime Essentially, YES, the latest film from Israeli auteur Nadav Lapid, is a portrait of an artist...

Sentimental Value | 2025 Cannes Film Festival Review

Life as a House: Trier Turns Broken Hearts Into Art In Woody Allen’s Interiors (1978), an unhappy tale of three sisters contending with their parents’...

2025 Cannes Critics’ Panel: Day 9 – Joachim Trier’s ‘Sentimental Value’

Everyone took notice with his 2006 debut Reprise, but it is his Cannes' Un Certain Regard 2011 sophomore feature Oslo, August 31st where this...

2025 Cannes Critics’ Panel: Day 9 – Oliver Hermanus’ ‘The History of Sound’

South African filmmaker Oliver Hermanus might be another newbie in competition but this first trip to Cannes as he premiered 2011's Beauty in the...

2025 Cannes Critics’ Panel: Day 9 – Carla Simón’s ‘Romería’

In competition film #16 of the twenty-two offerings, and the first of a three day competition buffet, and the second com title from Spain,...

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Hot Milk | Review

The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows Screenwriter...

Interview: Ariane Labed – September Says

A pivotal figure in the Greek Weird Wave, Ariane...

Interview: Jessica Palud – Being Maria

In 2018, political journalist and writer Vanessa Schneider released...

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