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67th Venice Film Festival: Gallo, Coppola, Reichardt Selected in the Main Comp

Knowing Quentin Tarantino's appreciation for films that are "out there": if I had to do some really early predictions here, I'd say that the Gold and Silver Lion front-runners are in Alex De La Iglesia's bizarro fantasy film A Sad Trumpet Ballad, Pablo Larrain's Post Mortem or Athina Rachel Tsangari's Attenberg (a filmmaker we recently profiled in our American New Wave 25 series - she spent more than a decade in Austin's film scene). I'd also add put Abdellatif Kechiche's Black Venus high up on any awards list, especially the Lido - it's a film I've been pegging for Venice since the film went into production.

Cannes 2010 Predictions (Sidebars): Bertucelli, Bonello, Muntean, Fliegauf

Screen Daily made up their own Tips list with some surprise titles that I don't think will make it to Cannes (although I badly want to see Abdellatif Kechiche's Black Venus, I think he might return to Venice), and some titles that have a good shot which I did not mention (John Cameron Mitchell's Rabbit Hole) and plenty of their list mimics my picks - such as Julie Bertucelli's The Tree.

Tracking Shot June 2009: Rabbit Hole, We Want Sex, Black Venus…

Across the pound Abdellatif Kechiche begins filming Black Venus and the U.K will see William Monahan make his directorial debut with London Boulevard and Nigel Cole directs Sally Hawkins in a drama that reminds me of North Country.

Cannes 2009 Producer’s Patch: MK2

This year Mk2 bring Greek director Yorgos Lanthimos's Dog tooth and Mathias Gokalp's Nothing Personal in the sidebars and they have Abdellatif Kechiche's next (Black Venus) in production (the director gave us brilliant The Secret of the Grain in 2007/08) and they also have Patrice Chereau's long awaited film – Persecution starring names like Romain Duris and Charlotte Gainsbourg.

Top 20 Films of 2008: #1 The Secret of the Grain

Abdellatif Kechiche’s third film had such on long-lasting affect on me that I came for a second “helping” weeks after….I also rushed to my nearest Arab restaurant for a generous helping of couscous. I place this at my number one slot because it does everything right – plus the filmmaker allows the film to breath with contextual settings of a salty seaside town and the rich array of slice of life characters coating the rather simplistic storyline with honesty and intimacy.

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