Search results for: Amy Berg

Godard's Breathless is the film that made me want to become a filmmaker. I saw it my freshman year in college and I couldn't believe how a director could take a few great characters and a mostly hand-held camera and make a film that said so much about life in a world in which absolute values had become irrelevant (both filmically and ethically.) And what a face Belmondo had!

I'm not sure who to give the Lemon of the Week to? Does it go to adult public who fail to support such films or for having changed their taste buds? Does it go to the studios who blame the economy for dropping such projects from future slates? What I do know is that all eyes will be peeled on how well The Informant and The Men Who Stare at Goats do this Fall.

This July (2009), we are keeping tabs on Paul Scheuring's Americanized remake of the German film Das Experiment, Trent Cooper's third outing as a director with the comedy Father of Invention, David O. Russell puts Nailed behind to concentrate on The Fighter, Harold Becker starts filming Uma and Abigail in Michigan and David Gordon Green directs his second straight studio film in part of the U.K/Ireland.

Talk about a changeup pitch. Not liking the changes that were implemented in the shooting script, Variety reports that Columbia Pictures' Amy Pascal is throwing a wrench into the production which was supposed to begin tomorrow in Phoenix.

So how does Yojiro Takita's Departures (Okuribito) beat out heavy favorites Israel's Waltz With Bashir and France's The Class? Smart pick ups and adequate marketing plans just don't cut it when it comes to promoting titles for Oscar campaigns and Sony Pictures Classics seemed to have botched, undersold both titles the moment the final five titles were announced.