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Tribeca fills Spotlight section with offerings from the Weinsteins, Magnolia and IFC

Stemming as far back as Cannes and Toronto of last year and fresh from journeys at Sundance and Berlin, most of the titles selected...

Tribeca announces line up for 7th edition

A streamlined lineup, and some restructuring in the ticket pricing means that the Tribeca film festival folks are fine-tuning a festival which is slowly...

The 2005 Blacklist Update: Where are they Now?

Call this a post-Oscars afterthought, but I think the inaugural 2005 blacklist for un-produced screenplays is working out to be a fairly good predictor/barometer in discriminating the output of quality films and misfires.

Oscar Crystal Ball: Who Should and Who Will Win

I don't think the crystal ball is that clouded this year...but the Oscar pools do end up getting a jolt. My picks aren't off...

Canadian Oscars: 28th Genie award noms favor Eastern Promises and Away From Her

The Academy of Canadian Cinema and Television have announced the nominees for the 28th annual Genie Awards and leading the pack with 12 noms...

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...

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