The idea for this film came to me mysteriously, as a revelation at the end of a long journey through Calabria, my land. I tracked for a long time the shepherds on the pastures of the Ionian coast, I shot images of their animals, intrigued by the challenge of filming something uncontrollable: the beasts.
We're about 36 hours away from Cannes Film Festival's big unveiling of the 2011 line-up and while the Main Comp should bare very little surprises (see the math below), the one title whose status is still a mystery and could break into the 20 or so titles is Carlos Reygadas' Post Tenebras Lux.
This month we profile Michelangelo Frammartino. His award-winning film, Le Quattro Volte was among our top three back on the Croisette and it receives a theatrical release via Lorber Films -- beginning in Gotham's Film Forum and then expanding into other markets in North America commencing this weekend.
The Berlin Film Festival begins today and in typical IONCINEMA.com fashion, I've decided to unveil my predictions for the 2011 edition of the Cannes Film Festival. I've taken the liberty at breaking down the predictions by what should logically fit into what sections: Main Comp, UCR and the Director's Fortnight sidebar.
Even though 2010 wasn't considered a good year in Israeli cinema, as its presence on the international front was rather modest, it certainly wasn't as bad that one might think, and by comparison, 2011 is looking at least as good, if not better: There are already two Israeli films that will be launched at the upcoming Berlin Film Festival, and just before that, Sundance's World Dramatic Competition will include a title that I mention below.