Search results for: Bruno Dumont

I guess we're moving forward in time with the whole "I am a false prophet. God is a superstition" discourse. Paul Thomas Anderson must have liked Philip Seymour Hoffman take on the priesthood in Doubt, as he is putting his faith in him. Universal studios would be doing the same with a 35 million dollar faith based, period drama probably not of the Kirk Cameron kind, and despite the similarities in choice of year circa 1952, probably not the Jimmy Jones kind either.

Have Joel and Ethan Coen followed up No Country for Old Men with another Oscar winner? A clear favorite (I've got my hand up) among the film critics and bloggers polled by IndieWIRE, A Serious Man might have a big and bright future ahead of it and as Eugene points out, "the Coens latest took top honors as Toronto’s best narrative film, finding a place on nearly every single ballot.

I've come up with a magical number of 30 films that I'll be covering for the fest (you might have noticed the TIFF Picks countdown over the past couple of weeks), when in fact that, the number of films I hope to catch a whopping 44!

Following my top ten TIFF list of titles available piece that I published a couples of hours back, TIFF released the lengthy list of titles that are looking for deals. Among those that I didn't mention in my top ten but could have easily have been there is the omission of Micmacs à tire-larigot

I'd focus on Maren Ade's Everyone Else (Kent Jones wrote an essay in this month's Film Comment about this German film and comparable on-screen relationships citing Cassavetes and Bergman examples), Zhao Dayong's three hour documentary film (Ghost Town) about how China's Cultural Revolution didn't benefit everyone and (see pic) Samuel Maoz's circa 1982 film (Lebanon) which will screen at Venice, TIFF and at the Lincoln Center - not bad for a first time filmmaker!