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TIFF 2021: Titane Opens Midnight Madness / Quinzaine Fills Wavelengths & The Gravedigger’s Wife & Compartment No. 6 Among Prestige Items

With only one more Wednesday announcement left in the bank (competition Platform section and the shorts get announced next week) today we saw the...

Dylan Kai Dempsey’s Top 10 Theatrical Releases of 2018

Another year of Oscars. Another year of whitewashed, predominantly-male nominations; another year of passionate love/hate from film fans. And another year of small victories!...

2018 American Film Fest in Wrocław: Alverson, Guadagnino, Denis & Ross Perry Among Selections

Highlighting some of the best American indie offerings of 2018 from Sundance to Cannes and more recent offerings from TIFF and Venice, the ninth...

2015 Cinema Eye Honors: The Look of Silence Fitted…and Fêted as Best Nonfiction Feature of ’15

Prior to today's Oscar nomination announcements, Joshua Oppenheimer's follow up/ companion film to the haunting The Act of Killing won the top prizes at the 2015...

Sundance ’15: Me and Earl and the Dying Girl Find Friends at Sundance, James White Receives Audience Embrace

Following in the footsteps of Fruitvale Station and Whiplash before it, the most talked about title in Alfonso Gomez-Rejon's Me and Earl and the...

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Fjord | Review

Interview: Jacqueline Lentzou – A Day in the Life of Jo: Chapter Phaedra

A poem. A song. An argument. An apology. Inspired...

Interview: Andrea Pallaoro – The Echo Chamber

With his fourth feature film, Andrea Pallaoro turns his...

Lee Chang-dong – Possible Love

For his seventh feature film, Korean master filmmaker Lee...

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