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2024 Oscars: Lila Avilés’ Tótem is Mexico’s Nomination for Best International Film

FYC

Eric Lavallée - September 26, 2023

In a flurry of announcements for the Best International Film category, we now learn that Mexico has selected Lila Avilés' brilliant sophomore feature, Tótem...

2022 Tribeca Film Festival: Robert Machoian, Andrew Dosunmu & Andrew Bujalski In Line-Up

Film Festivals

Eric Lavallée - April 19, 2022

World premieres from American indie filmmakers Robert Machoian, Andrew Dosunmu and Andrew Bujalski are just three filmmakers in the 2022 Tribeca Film Festival's massive...

2022 Sundance Film Festival: Short Films Comps include Carina Gabriela Dașoveanu, Nash Edgerton & Hannah Peterson

Film Festivals

Eric Lavallée - December 10, 2021

With lottery ticket winning odds of having your short film selected, the Sundance Film Festival have unveiled the lucky 59 films selected for their...

Interview: Johnny Ma – To Live to Sing | 2019 International Film Festival • Macao (IFFAM)

Interviews

Tommaso Tocci - December 10, 2019

Art and legacy clash with progress and commerce in a lightly dramatized account of life as one of the few remaining Sichuan Opera troupes...

The Conversation: Time for TIFF 2019 – Predictions!

The Conversation

Nicholas Bell - July 22, 2019

The Toronto International Film Festival is set to unspool its latest monolithic program. A major cue to set Oscar season into motion, the line-up...

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Felix van Groeningen’s ‘Let Love In’ – Everything We Know So Far … Felix van Groeningen’s ‘Let Love In’

Eric Lavallée - June 6, 2026

La petite dernière (The Little Sister) | Review

Reviews June 5, 2026 0

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Théodore Pellerin – Unifrance 10 to Watch 2026 | 2026 Cannes Film Festival

Interviews June 5, 2026 0

At the 2026 Cannes Film Festival, we got to...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

Interviews June 4, 2026 0

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.