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All Quiet On The Western Front (2022) | Review
War is Hell: Germany’s Oscar Entry Delivers Blunt & Brutal Depiction of WWI
The most haunting image in filmmaker Edward Berger’s latest take on All...
Decision to Leave | Review
Suspicious Minds: Park-wook Returns with Thriller of Diminishing Returns
For the first hour of its lengthy running time, Decision to Leave, Park Chan-wook’s first theatrical...
L’immensità | 2022 Venice Film Festival Review
This Boy’s Life: Crialese Cuts Corners in Well-Meant Trans Coming-of-Age Drama
Director Emanuele Crialese explores the slow disintegration of a dysfunctional family in 1970s Rome...
I Love My Dad | Review
Sons & Lovers: Morosini Aims for Awkward in Dysfunctional Familial Dilemma
Overbearing and stifling parents have long been a staple of semi-autobiographical storytelling, but director...
2022 Venice Film Festival: 70 Predictions (Part II) Aroonpheng, Lindholm, Hogg & Rolf de Heer
Only hours before TIFF unveil what should be a sizeable amount of their line-up (and in the same sweeping motion confirm a lot of...
