A classy, complex affair, Azazel Jacobs scores his greatest achievement to date with The Lovers, taking a break from the adolescent, man-child ennui which...
The Pleasure Principle: Escalante Makes a Monster Mash with Distinctive Social Drama
The shadow of Andrzej Zulawski’s infamous erotic creature feature/divorce melodrama Possession (1981) looms...
Daniel Espinosa’s blatant Alien carbon copy Life may have received overwhelmingly mixed reviews, but the sixty million budget endeavor ended up taking in just...