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Criterion Collection: Teorema (1968) | Blu-ray Review

“Whatever the bourgeois do is wrong?” is a question posited in the flurried opening segment of Pier Paolo Pasolini’s arcane arthouse classic Teorema, a...

The Whistlers | Review

If I Want to Whistle, I Whistle: Porumboiu Goes Mainstream with Neo-noir Romanian New Wave alum Corneliu Porumboiu makes a marked departure with his latest...

Saint Frances | Review

Au Pair Affair: Thompson and O’Sullivan Present Warm Debut with Body Positive Dramedy There’s much to be said for an authentic, well-calibrated scenario, whether or...

Edson Oda’s Nine Days Leads Dylan Dempsey’s Top 10 Films of the 2020 Sundance Film Festival

This year’s Sundance slate was one of the most diverse ever: nearly half of the 128 feature films were directed by women; 34% of...

Beanpole | Review

Life After Wartime: Balagov Crafts Exemplary Portrait of Post-WWII Role of Women In the words of Plato, “Only the dead have seen the end of...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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