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The Surrogate | Review

She’s Having a Baby: Hersh Mines Moral Dilemma in Compelling Melodrama Melodrama as a genre, especially narratives centered deliberately on moral or ethical dilemmas,...

Dead Again: Fulci’s “Zombie” (1979) Cult Classic Finds New Life | Blu-ray Review

Italian ‘Maestro of Gore’ Lucio Fulci canvassed a wide array of genres. Not unlike his colleague Mario Bava, his filmography resists being pigeonholed, seeing...

Criterion Collection: The Cremator | Blu-ray Review

Criterion restores a cornerstone of the Czech New Wave with Juraj Herz’s classic The Cremator, a chilly dark comedy set in 1930s Prague which...

Criterion Collection: The Cranes are Flying (1957) | Blu-ray Review

The only Soviet film to ever win the coveted Palme d’Or, Mikhail Kalatozov’s The Cranes Are Flying (1957), gets a loving 2K restoration on...

We Summon the Darkness | Review

Heaven and Earth: Meyers Tackles Organized Religion with Droll Thriller Director Marc Meyers returns to the isolating terrors of the rural Midwest in a different...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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