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Black Coffee | Review

Coffee Mate: Harris’s Latest a Heavy-handed, Yet Welcome Reprieve from the Norm A professed self-taught filmmaker, director Mark Harris’ latest film, Black Coffee, exudes a...

S#x Acts | Review

Sextette: Gurfinkel’s Debut an Uncomfortable Sashay into Female Victimhood Exuding enough uncomfortable finesse to be ranked as one of several cinematic explorations that appear to...

Sundance 2014: Stuart Murdoch’s God Help the Girl & Hong Khaou’s Lilting Top Dozen World Dramatic Comp Items

It's among the two sections that we usually don't put much focus on (yes, we love subtitles, but we're more concerned, naturally more inclined...

2014 Sundance Film Festival Predictions: Adam Rapp’s Why Now?!

Don't let the lack of theatrical output foul you. Adam Rapp is a man of many hats, alternating between novelist, playwright, television, guitarist, actor...

Last Vegas | Review

Hangdog Hangover: Formulaic Comedy Eschews Characterization for Product Placement Director Jon Turteltaub, whose career is bolstered by a resume of unquestionably mainstream Hollywood fare, perhaps...

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