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Criterion Collection: Marketa Lazarova | Blu-ray Review

You’ll be hard pressed to make a more exciting discovery than Criterion’s digital transfer of Frantisek Vlacil’s 1967 Czech classic, Marketa Lazarova. Voted the...

The Rambler | Review

Aimlessly Devoted To You: Reeder Culls More Stars and Less Sense for Sophomore Film More proof that horror as a genre has been hedged out...

Wish You Were Here | Review

Do You Think You Can Tell?: Darcy-Smith’s Debut Promising, if Ultimately Contrived Establishing an effective and potentially chilling set-up during its first few frames, Kieran...

Mobius | Review

False Positive: Rochant’s Latest a Trashy, Muddled Mess French director Eric Rochant, no stranger to espionage themed genre exercises upon a quick glance at his...

Mental | Review

Mixed Nuts: Hogan’s Latest a Welcome Return to Roots After almost two decades knocking around the studio system after the success of his 1994 hit...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont...

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