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39th FNC: 2010 Edition is a Festival Heavy on Discovery

Over 295 films - this includes shorts, fiction and documentary, animation, retrospectives, tributes, professional panels, outdoor interactive installations, the festival which takes place between the 13th to the 24th of October, furiously promotes not only world talent, but local French Canadian filmmakers. Among the notable titles, we have Michelangelo Frammartino's Le Quattro volte, Olivier Assayas' Carlos and Alex de la Iglesia's The Last Circus and Wang Bing is doing a Master Class for Venice-winning The Ditch. His epic 9 hour film Tie Xi Qu: West of the Tracks will also be shown as part of a retrospective.

Film Movement Make ‘Illegal’ Move: Grab Rare Cannes-Venice Olivier Masset-Depasse Drama

Film Movement have made their second Cannes pick-up. Jury Prize winning A Screaming Man (receiving a release next April) is joined by Olivier Masset-Depasse's prize-winning Illegal - the only picture that has been selected for both premium European film festivals: Cannes (Director's Fortnight) and Venice (Venice Days) section.

One on One with Contantin Popescu’s Principles of Life (San Sebastian Film Festival)

Romanian cinema at 58th San Sebastian Festival will be represented by Principles of Life (Principii de viață). Constantin Popescu's sophomore feature has been selected to compete in the Zabaltegi-New Directors Section. The film examines the rapport between father and son, and in a nutshell is about the generation gaps and the inability to communicate.

Interview : David Michôd (Animal Kingdom)

I wrote that role for Ben [Mendelsohn], and Ben is an incredibly powerful character in life. He’s very charismatic. He’s powerful and he commands attention. And so this evolved even further with my conversations with him that while other characters in the film may cover themselves in tattoos and muscles, Pope wouldn’t need any of that.

2010 Ophir Awards Race: Moshe Ivgy’s ‘And on the Third Day’ is the Leader of the Pack

Hands down, Ivgy's And on the Third Day is the best Israeli film of 2010. With several connecting stories of men being cruel towards women (physically, sexually, and psychologically), with a concluding apocalypse, this is a Magnolia-type picture minus the frogs.

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