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One on One with Contantin Popescu’s Principles of Life (San Sebastian Film Festival)

Romanian cinema at 58th San Sebastian Festival will be represented by Principles of Life (Principii de viață). Constantin Popescu's sophomore feature has been selected to compete in the Zabaltegi-New Directors Section. The film examines the rapport between father and son, and in a nutshell is about the generation gaps and the inability to communicate.

Interview : David Michôd (Animal Kingdom)

I wrote that role for Ben [Mendelsohn], and Ben is an incredibly powerful character in life. He’s very charismatic. He’s powerful and he commands attention. And so this evolved even further with my conversations with him that while other characters in the film may cover themselves in tattoos and muscles, Pope wouldn’t need any of that.

2010 Ophir Awards Race: Moshe Ivgy’s ‘And on the Third Day’ is the Leader of the Pack

Hands down, Ivgy's And on the Third Day is the best Israeli film of 2010. With several connecting stories of men being cruel towards women (physically, sexually, and psychologically), with a concluding apocalypse, this is a Magnolia-type picture minus the frogs.

Cannes 2011: 20 Predictions for Next Year’s Festival

If the Main Competition suffered because of the lack of film output from last year (Venice and TIFF have already seen the benefits), next year's edition of the Cannes film festival is already shaping up to be a fantastic year with names like Pedro, Von Trier, Dardennes, Cronenberg, PTA and Salles in the possible line-up. For those who made a case about there not being much female representation -- they'll be pleased to see that the latest works from Andrea Arnold and Lynne Ramsay should be in the line-up --- and although I didn't add him to the list below, we could also see Steve McQueen's latest project in the fest. Here are a list of 20 projects I think will be in the fest next year.

49th Critic’s Week Selections: Quentin Dupieux’s Rubber and Marc Fitoussi’s Copacabana Make the Cut

Among the more interesting picks in the titles mentioned above, we have scribe Rebecca Zlotowski's directing debut with the pairing of some hot French thesps in Léa Seydoux and Anaïs Demoustier, there is David Robert Mitchell's SXSW entry that gets a second life via this section and another Swedish-French production is hitting the section this year, with what appears to be an awfully unique project from Ola Simonsson & Johannes Stjärne Nilsson.

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