I wrote that role for Ben [Mendelsohn], and Ben is an incredibly powerful character in life. He’s very charismatic. He’s powerful and he commands attention. And so this evolved even further with my conversations with him that while other characters in the film may cover themselves in tattoos and muscles, Pope wouldn’t need any of that.
Hands down, Ivgy's And on the Third Day is the best Israeli film of 2010. With several connecting stories of men being cruel towards women (physically, sexually, and psychologically), with a concluding apocalypse, this is a Magnolia-type picture minus the frogs.
If the Main Competition suffered because of the lack of film output from last year (Venice and TIFF have already seen the benefits), next year's edition of the Cannes film festival is already shaping up to be a fantastic year with names like Pedro, Von Trier, Dardennes, Cronenberg, PTA and Salles in the possible line-up. For those who made a case about there not being much female representation -- they'll be pleased to see that the latest works from Andrea Arnold and Lynne Ramsay should be in the line-up --- and although I didn't add him to the list below, we could also see Steve McQueen's latest project in the fest. Here are a list of 20 projects I think will be in the fest next year.
Among the more interesting picks in the titles mentioned above, we have scribe Rebecca Zlotowski's directing debut with the pairing of some hot French thesps in Léa Seydoux and Anaïs Demoustier, there is David Robert Mitchell's SXSW entry that gets a second life via this section and another Swedish-French production is hitting the section this year, with what appears to be an awfully unique project from Ola Simonsson & Johannes Stjärne Nilsson.
The latest from Oliver Schmitz, who contributed to Paris, Je T'aime. For the time being, info is sparse on Schmitz's Life Above All, Daniel & Diego Vega's Octubre and the Ivan Fund & Santiago Loza tandem seemed to have released Los labios nationally prior to what would be an international premiere.