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Beginning July 28 and running until the end of August, Toronto's TIFF Bell Lightbox are complimenting their Fellini bonanza with a concurrent programme that spotlights perhaps the purest, most stripped down movement in film history: Italian Neorealism. For Fellini, La Dolce Vita signalled a gravitation toward his thematic and stylistic tendencies for excess and the fantastic; with later films like 8½ and Juliet of the Spirits dominating the canon, it is easy to overlook the more timid first decade of his career. The juxtaposition of Fellini's Double Bills with this showcase for Neorealismo serves not only as a logical contextualization for Fellini, but also it offers a chance to see rare prints of monumental Italian classics, many shipped straight over from Italy.

Many accused Isabelle Huppert of playing favourites when Haneke finally won for his long overdue Palme. De Niro has worked with Brad Pitt and Sean Penn --- will the brotherhood remain intact with a vote going towards Malick?

Cannes Classics, created in 2004, accompanies contemporary films from the Official Selection with a programme of restored films and lost films that have been found again, as part of their re-release in cinemas or on DVD. The screenings will be held at the Palais des Festival and will be shown again at La Licorne.