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Class of 2011? Ten High Profile Films Pushed Back to Next Year

With All Good Things and Biutiful confirming their December dates, Tree of Life apparently falling back into this "calender" year and Peter Weir's The Way Back looking at a Telluride opening, there are a batch of films (ten listed below) that are not entirely ready and we are not entirely sure why.

TIFF 2010: Contemporary World Cinema Features World Preems from Koen Mortier, Icíar Bollaín, Bent Hamer and Peter Mullan

I was wondering why Peter Mullan's Neds wasn't included in Venice. I was wondering why the Midnight Madness section didn't name Koen Mortier's latest. I was wondering why Cannes regular Bent Hamer wasn't in Cannes. TIFF's CWC section has all three high profile items, plus Venice Film Festival's Meek's Cutoff (Kelly Reichard) and Three (Tom Tykwer). Reichard will participate in Kelly Reichardt in a Mavericks discussion about the behind the scenes of her process.

The Good, the Bad, the Weird | DVD Review

The action in The Good, The Bad, The Weird is non-stop and is sure to please fans of westerns and Asian films alike. Hell, any fan of action movies in general should seek this one out.

2010 Venice Film Festival Predictions

I don't think the title of head programmer for any festival is an easy job, but I'd argue that Marco Müller has it "easy" this year. With so many of the world's best auteurs having not been ready to deliver at the Cannes deadline, the 67th edition of the Venice Film Festival (which will run 1st to 11th September 2010) is going to be loaded in premium titles. With many items having already been mentioned and speculated on before, here is an updated predictions list with a good helping of new names.

Cannes 2010 Predictions (Sidebars): Dolan, Reichardt, Larrain, Kerrigan

What do Juan Antonio Bayona, Bernardo Bertolucci, Guillermo del Toro, Ken Loach, Jacques Audiard, François Ozon and Wong Kar-Wai have in common? They all got their starts at the far-end of the Croisette in the smallest of the sections called Critic's Week. The section specializes in mostly first time, and sometimes sophomore films from new talent.

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