It couldn’t happen any other time than the middle of the night. That ringing is not a dream. There, on the other side of the line, is the voice you have tried so hard to forget while secretly longing to hear again. You’re half asleep so you can’t be sure the conversation is actually happening. She’s in town. She’s leaving tomorrow. She wants to see you. Nothing good can come of this but you can’t say no., not to her. So you drag yourself out of bed, throw on some jeans and prepare yourself to revisit every memory, good and bad, that the two of you created. It’s a scenario most can relate to and that common experience is what makes Francois Dompierre’s All the Days Before Tomorrow, a dissected history of Wes (Joey Kern), Alison (Alexandra Holden) and the space they created together, easy to connect with and even easier to fall in love with.
The midway point of our list presents established filmmakers changing up their "serves" sorta speak. Ang Lee goes subtitle country while Tony Kaye (American History X) delivers a documentary. We also have some legitimate shots at Oscar below - you decide which ones have the better chances.
But this one — it’s down in the cave, a scary place. It’s more like hell. This is how Ang Lee describes his upcoming release and TIFF/Venice premiere of Lust, Caution. You can read the rest of Lee's comments over at the New York Times - read article here. If you want to read a long synopsis read below or if you want to watch the trailer (you know the drill) click on the poster image.