Today co-directors Cameron Bailey and Piers Handling of the Toronto International Film Festival announce the first batch of titles that are the make-up of the 36th edition. Today's the pair will read off mostly Gala screening mentions (our Blake Williams will be LIVE tweeting), which in turn give us a strong indication as to what will be shown in Venice and what Telluride, NYFF and BFI London Film Festivals might salvage/lasso as their own.
Reminiscent of Corneliu Porumboiu's Police, Adjectiv for its marathon run time (film is easily over the two-hour mark, but doesn't feel like it) and wry sense of humor in what essentially tackles the underlining politics in procedural police work, Ceylan's Grand Prix winner (tied with the Dardennes' Kid With a Bike) has found a home with The Cinema Guild folks and though no immediate plans were made for a 2011 release, expect the ideal locations of TIFF and NYFF to provide settings for the North American and U.S premieres.
There are talent labs, and there are cinema funds from festivals (ie. Rotterdam's CineMart; Cannes' Atelier), and then there are the short film sections; every important festival has one, and those who do well get their films promoted and financed to become feature-length debuts. Cannes' Short Film Competition (Court Métrage) awards a full-blown Palme d'Or to its winner, and more often than not, these winning filmmakers become the next big names in cinema.
Cannes is going to have a stellar Main Comp (Pedro, Ramsey, Lars, Dardenne Bros., Kaurismaki) but there are still plenty of unexpected no-shows this year. Making Venice extremely happy we don't find: Giorgos Lanthimos, Marjane Satrapi & Vincent Paronnaud, Aleksandr Sokurov, Christophe Honoré, Lou Ye, Pen-ek Ratanaruang and Brillante Mendoza.