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Cannes 2011 Main Comp: The 19 Selections

Cannes is going to have a stellar Main Comp (Pedro, Ramsey, Lars, Dardenne Bros., Kaurismaki) but there are still plenty of unexpected no-shows this year. Making Venice extremely happy we don’t find: Giorgos Lanthimos, Marjane Satrapi & Vincent Paronnaud, Aleksandr Sokurov, Christophe Honoré, Lou Ye, Pen-ek Ratanaruang and Brillante Mendoza.

Cannes is going to have a stellar Main Comp (Pedro, Ramsey, Lars, Dardenne Bros., Kaurismaki) but there are still plenty of unexpected no-shows this year. Making Venice extremely happy we don’t find: Giorgos Lanthimos, Marjane Satrapi & Vincent Paronnaud, Aleksandr Sokurov, Christophe Honoré, Lou Ye, Pen-ek Ratanaruang and Brillante Mendoza. At the top of the list for surprise inclusions we have Camera D’or nominee in Julia Leigh’s Sleeping Beauty – (see the Eyes Wide Shut-like trailer here) I was expecting this to be the highlight for the Un Certain Regard section, but I guess this now means her first film is an extremely strong entry from Australia. Despite showing Tiresia in the Main Comp several years ago, I was thinking Bertrand Bonello’s L’apollonide (Souvenirs de la maison close) (picture above) would be relegated to the UCR category – which isn’t the case.

The same can be said about Radu Mihaileanu’s La source des femmes — the filmmaker has disappointed time and time again that we tend to not even want to mention him when discussing the Romanian New Wave. Maïwenn’s third film Polisse was being mentioned in some circles — again her previous efforts didn’t exactly make this a logical selection. Takashi Miike’s Ishimei (Hari-Kiri: Death of a Samurai) would normally have been thought of as an OOC title and the same could be said about Nicolas Winding Refn’s Drive — which comes out a full 4 months before it’s theatrical release and is a huge surprise for us but not for Screen Daily who called it months ago. We now understand why Joseph Cedar’s Footnote skipped out on Berlin – because it got a nicer invite from this fest. Alain Cavalier’s was in the UCR a couple of years back with Irène, him receiving a Min Comp slot for his comedy titled Pater (starring Vincent Lindon) is a huge head-scratcher. And Austria’s Markus Schleinzer is best known a casting director more recently for The Robber, Women Without Men and Palme winning The White Ribbon will show up with Michael (I imagine this is his directorial debut). Here is the complete list of 19 selections, we expect a possible add-on in the coming weeks.:

Woody Allen’s Midnight in Paris (Opening Film – Not in Competition)
Pedro Almodóvar’s The Skin I Inhabit
Bertrand Bonello’s L’Apollonide: Souvenirs de la maison close
Alain Cavalier’s Pater
Joseph Cedar’s Footnote
Nuri Bilge Ceylan’s Once Upon a Time in Anatolia
Jena-Pierre and Luc Dardenne’s Le gamin au vélo
Aki Kaurismäki’s Le Havre
Naomi Kawase’s Hanezu no Tsuki
Julie Leigh’s Sleeping Beauty
Maïwenn’s Polisse
Terrence Malick’s Tree of Life
Radu Mihaileanu’s La source des femmes
Takashi Miike’s Ishimei (Hari-Kiri: Death of a Samurai)
Nanni Moretti’s Habemus Papam
Lynn Ramsey’s We Need to Talk About Kevin
Nicolas Winding Refn’s Drive
Markus Schleinzer’s Michael
Paolo Sorrentino’s This Must Be the Place
Lars von Trier’s Melancholia

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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