Search results for: Roy Andersson
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2012 Cannes Film Festival Predictions: Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence
Gist: Un Certain Regard Cannes Jury Prize winner in 2000 with Songs from the Second Floor, Swedish director Roy Andersson’s last film, the scrumptiously...
Top 3 Critics’ Picks: Andersson, Slaboshpitsky & Patrick Brice Must Sees this June
IONCINEMA.com's Top 3 Critics' Picks offers a curated approach to the usual quandary: what would you recommend I see in theaters this month? June...
71st Venice Film Fest: Oppenheimer, Akin, Bahrani, Andersson & Ferrara Compete for Golden Lion
Whiles the likes of Terrence Malick, Todd Haynes, Alexander Sokurov, Giorgos Lanthimos and J.C. Chandor no where to be found in the fall fest season...
Cannes 2009 Day 4: Porumboiu’s Police, Adjectiv is an Example on How to Hash Out a Minimalist Film
A good percentage of films that make up the Un Certain Regard section each year work with lingering cameras, long takes and a non-moving camera. You had on one side the Tsai Ming-Ling or Hou Hsiao Hsien kind, and then you have this formula embedded with a wryness coming from the likes of Aki Kaurismaki and Roy Andersson. Police Adjectiv falls somewhere in between.
Interview: Matthew Rankin – Universal Language (2024 Marrakech Intl. Film Festival)
Imagine Tim Hortons' signage were comically flipped from right to left, or the face on Canada’s banknote replaced with the haunting image of Louis...
