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Salvation | 2026 Berlin Intl. Film Festival Review

Hysterical Intervention: Alper Gets Overwrought Exploring Tribalism The land dispute at the center of Emin Alper’s latest film Salvation has all the trademarks of a...

I Understand Your Displeasure | 2026 Berlin Intl. Film Festival Review

In the Realm of Defenses: Friedrich Examines Turmoils of the Working Class Even in the democratic and social federal state of contemporary Germany, all is...

Philosopher’s Zone: Ryusuke Hamaguchi Has Virginie Efira & Tao Okamoto Exchange in ‘All of the Sudden’

Finally one Paris-based project might have leap-frogged another (Our Apprenticeship) as Variety reports that Ryusuke Hamaguchi will direct All of the Sudden - and...

2024 Cannes Film Festival: Wim Wenders, Jean-Luc Godard & Akira Kurosawa Feted in Classics Section

The section that we criminally need to overlook while covering the festival, the Cannes Classics films (excluding Le Cinéma de la Plage) are the...

2023 Venice Film Festival – 75 Predictions: Élise Girard, Delphine Girard, Nara Normande / Tião, Purev-Ochir

And here is the last batch of film titles on our 2023 Venice Film Festival – 75 Predictions list. Paradiset brinner Dir. Mika Gustafson Prod: Nima Yousefi Paradiset...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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