Search results for: Ulrich Seidl

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Goodnight Mommy | Review

Mom Without a Face: Fiala/Franz’s Fiction Debut a Mesmerizing Slice of Psychological Horror Once you’re made aware that Goodnight Mommy is the fictional directorial debut...

Stations of the Cross | Review

The Road to Hell: Brueggemann’s Apprehensive Examination of Blind Faith Premiering at the 2014 Berlin Film Festival, where it snagged the Ecumenical Jury Prize as...

A Pigeon Sat on a Branch Reflecting on Existence | Review

Familiar Tune: Andersson Completes Trilogy With Enjoyable, Familiar Chapter Prolific Swedish filmmaker Roy Andersson tends to work infrequently, taking years, if not decades, between film...

2015 Sundance Trading Card Series: #10. Sean Baker (Tangerine)

Eric Lavallee: Name me three of your favorite “2014 discoveries”... Sean Baker: 1) Ruben Östlund - After being blown away by Force Majeure, I made...

Involuntary | Review

Cold Cuts: Östlund Examines Behavior Unawares in Astute Sophomore Feature While Ruben Östlund’s 2004 feature debut The Guitar Mongoloid first played with examinations of human...

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Timestamp | Review

Schools of Survival: Gornostai Probes the Resiliency of Ukraine’s...

Interview: Neeraj Ghaywan – Homebound (2025)

A filmmaker who has emerged as one of the...

Interview: Siyou Tan – Amoeba (2025)

The official mascot of Singapore represents a visual melting...

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