The Road to Hell: Brueggemann’s Apprehensive Examination of Blind Faith
Premiering at the 2014 Berlin Film Festival, where it snagged the Ecumenical Jury Prize as...
Familiar Tune: Andersson Completes Trilogy With Enjoyable, Familiar Chapter
Prolific Swedish filmmaker Roy Andersson tends to work infrequently, taking years, if not decades, between film...
Cold Cuts: Östlund Examines Behavior Unawares in Astute Sophomore Feature
While Ruben Östlund’s 2004 feature debut The Guitar Mongoloid first played with examinations of human...
While a certain "freshness" might be lacking in the Midnight Madness programme, the Vanguard section (and Wavelengths to be unveiled next month) is where...