Search results for: Wong Kar-wai

It was in the script. I mean, with her dresses, Xavier really wanted something 1950s/1960s, because from that, he wanted to mix contemporary references. Because love has no age. Even as generations change, love is the same. It was a way to attribute to older generations who felt the same way about love.

The Berlin Film Festival begins today and in typical IONCINEMA.com fashion, I've decided to unveil my predictions for the 2011 edition of the Cannes Film Festival. I've taken the liberty at breaking down the predictions by what should logically fit into what sections: Main Comp, UCR and the Director's Fortnight sidebar.

Apart from mostly big-budgeted films that have already confirmed, there are not that many Hong Kong films announced to be released in 2011, so it appears that it'll be another year dominated by Chinese/Hong Kong co-productions. The local industry is simply finding it too difficult making 100 percent local production these days. Here are five Hong Kong films you should get ready for next year, including a pair that will reign supreme in Cannes this coming May.

With All Good Things and Biutiful confirming their December dates, Tree of Life apparently falling back into this "calender" year and Peter Weir's The Way Back looking at a Telluride opening, there are a batch of films (ten listed below) that are not entirely ready and we are not entirely sure why.

I don't think the title of head programmer for any festival is an easy job, but I'd argue that Marco Müller has it "easy" this year. With so many of the world's best auteurs having not been ready to deliver at the Cannes deadline, the 67th edition of the Venice Film Festival (which will run 1st to 11th September 2010) is going to be loaded in premium titles. With many items having already been mentioned and speculated on before, here is an updated predictions list with a good helping of new names.