Melissa Silvestri

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The Black Power Mixtape 1967–1975 | Review

Civil Rights Smorgasbord: Swede Docu Helmer Examines U.S History

Review: El Velador

"Natalia Almada's chilling look at what happens when criminal drug lords are deified even in death, while their victims are completely forgotten might be wordless, but speks volumes about a problem that is unlikely to go away."

El Velador | Review

Shooting Spree: Almada Documents Open Air and Closed Doors of War Zone

Interview: Dennis Lee (Jesus Henry Christ)

Jesus Henry Christ is based off my short film of the same title that I made while at Columbia University’s graduate film program. As the short film did well, producers requested the feature version. So, I took the title and the main character, Henry James Herman, a ten year-old with a photographic memory, and placed him in an entirely different context.

Interview: Monia Chokri (Heartbeats)

It was in the script. I mean, with her dresses, Xavier really wanted something 1950s/1960s, because from that, he wanted to mix contemporary references. Because love has no age. Even as generations change, love is the same. It was a way to attribute to older generations who felt the same way about love.

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One Minute to Midnight (Un peu avant minuit) | 2026 Venice Film Festival Review

The Man Who Snubbed Women: Pariser Performs a Patriarchal...

NAZA | 2026 Venice Film Festival Review

Destroy Everything You Touch: Abraham & Szor Explore the...

The Fire Within You (Il fuoco che ti porti dentro) | 2026 Venice Film Festival Review

The Shrill Seekers: De Angelis Turns to Comedic Caricature For...

A Good Little Soldier (Un bon petit soldat) | 2026 Venice Film Festival Review

A HR Manager Never Cries: Brize Takes on Executive...
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