Melissa Silvestri

34 POSTS

Exclusive articles:

The Black Power Mixtape 1967–1975 | Review

Civil Rights Smorgasbord: Swede Docu Helmer Examines U.S History

Review: El Velador

"Natalia Almada's chilling look at what happens when criminal drug lords are deified even in death, while their victims are completely forgotten might be wordless, but speks volumes about a problem that is unlikely to go away."

El Velador | Review

Shooting Spree: Almada Documents Open Air and Closed Doors of War Zone

Interview: Dennis Lee (Jesus Henry Christ)

Jesus Henry Christ is based off my short film of the same title that I made while at Columbia University’s graduate film program. As the short film did well, producers requested the feature version. So, I took the title and the main character, Henry James Herman, a ten year-old with a photographic memory, and placed him in an entirely different context.

Interview: Monia Chokri (Heartbeats)

It was in the script. I mean, with her dresses, Xavier really wanted something 1950s/1960s, because from that, he wanted to mix contemporary references. Because love has no age. Even as generations change, love is the same. It was a way to attribute to older generations who felt the same way about love.

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Flesh and Fuel (Du Fioul dans les artères) | 2026 Cannes Film Festival Review

Paradise by the Dashboard Lights: Le Gall Finds Love...

Shana | 2026 Cannes Film Festival Review

Happy-Go-Mucky: Pinell Finds Purpose with a Woman in Transition “No...

2026 Cannes Critics’ Panel: Day 3 – Marie Kreutzer’s ‘Gentle Monster’

From Austria, Marie Kreutzer breaks into the Palme d'Or...

Gentle Monster | 2026 Cannes Film Festival Review

The Children’s Hour: Kreutzer Poses Provocative Dilemmas The complex trappings...
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