Xavier Dolan's I Killed My Mother edged out Denis Villeneuve's Polytechnique, claiming the top prize and collecting a total of five trophies, beating Villeneuve's film by one. Since Cannes last May, both films have been pitted against each other: while Villeneuve's film had the edge on the Quebecois box office front and received acclaim at Canada's Oscars (Genies), it was the debut film from Dolan that overwhelmed audiences on a global level, winning at several film festivals including three in Cannes
Will the Cannes Film Festival continue their love affair with Quebecois filmmakers? Last year was an specially strong year, the Director's Fortnight section loaded up, inviting a trio of titles from auteurs such as Denis Villeneuve, Denis Côté and the discovery of the section, in Xavier Dolan and his debut film I Killed My Mother.
What do Juan Antonio Bayona, Bernardo Bertolucci, Guillermo del Toro, Ken Loach, Jacques Audiard, François Ozon and Wong Kar-Wai have in common? They all got their starts at the far-end of the Croisette in the smallest of the sections called Critic's Week. The section specializes in mostly first time, and sometimes sophomore films from new talent.
Beating out some stiff competition such as Denis Villenueve's Polytechnique, Xavier Dolan’s I Killed My Mother (J’ai Tue Ma Mere) is Canada’s pick for the best foreign language film.
The Toronto FIlm Festival have announced everything Canadian (or in some cases co-produced with Canada) with the world premiere of Atom Egoyan's Chloe.