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Wes Anderson’s films strike a polarizing cord among the critical community. On the one hand, the meticulously crafted, intricate framing and deadpan delivery have garnered him “auteur” status among today’s working directors. On the other, his films almost always revolve around insular, upper-middle class white men suffering from arrested development.

Jason Schwartzman is an interesting cat. Hobbling into the press conference suite with a cane and a giant grin on his face, he comments on how unique the hotel room i

Back when Gael Garcia Bernal and his new production co. (Canana Films) announced that Bernal would commence his directorial debut  - my first thought...

Despite the number of qualified candidates, Spain's foreign Oscar pic was a shoe-in from the start. Juan Antonio Bayona's The Orphanage (who'll get it...

Third time is a charm for Carlos Reygadas - Mexico has picked his Cannes winning Silent Light for foreign language Oscar consideration.Mexico, Chihuaha state,...