Tag: 2018 Warsaw International Film Festival
Diamantino | Review
Politicizing Camp: Abrantes & Schmidt Post a Win with Imaginative Soccer Satire
After a decade decade working in the short experimental form, festival faves Gabriel Abrantes...
Rafiki | Review
Let’s Be Friends: Kahiu Dares to Question Kenyan Conservatism
Social conventions always require such power and resistance that brave individuals must engage in a continuous...
Mapplethorpe | Review
NY & Leather pants – Timoner Delivers by-the-numbers Biopic of Iconoclastic
With her seventh feature film, Ondi Timoner offers an effervescent biopic of iconic queer photographer. From the...
Video Interview: Agustina Macri – Soledad | 2018 Warsaw International Film Festival
Based on a true story, Soledad is a well-observed, passionate feature debut from Agustina Macri (who is incidentally the oldest daughter of Mauricio, the...
The Third Wife | 2018 Warsaw International Film Festival Review
Raise the Red Lanterns: Mayfair Falls Short on Accessing Modernity in Ancient Times
A new voice in Vietnamese cinema, Ash Mayfair's female-centric coming-of-age feature debut The...
Putting Lipstick on a Pig | 2018 Warsaw International Film Festival Review
Show Me The Money: Karrento Investigates the Hidden Side of Online Gambling
While the Nordic way of life is famous and possibly admired worldwide, some...
Nancy | 2018 Warsaw International Film Festival Review
Out of the Void: Chloe Embarks on Nuanced, Complex Search for Human Warmth
In Christina Choe’s first feature, Andrea Riseborough gives a subtle performance as...
Her Job | 2018 Warsaw International Film Festival Review
Scrubbing up: Labôt Debuts with Nuanced, Powerful Greek Drama of a Woman at Work
Her Job, Greek director Nikos Labôt's first feature roots its setting...
Mihkel | 2018 Warsaw International Film Festival Review
Of Children and Criminals: Magnússon Blends Family & Estonian History into Nordic Crime Drama
An artist and documentary filmmaker for more than two decades, Ari...
Alone at My Wedding | 2018 Warsaw International Film Festival Review
A Lonely Flower Dress: Bergman Delivers Raw, Touching Romani Emancipation Drama
Marta Bergman’s feature debut depicts the struggle of Pamela (Alina Șerban), a young Romani...
Thou Shalt Not Kill | 2018 Warsaw International Film Festival Review
Biblical Activism: Romanian Directors on a Crusade Against Corruption
Gabi Virginia Șarga and Cătălin Rotaru's debut feature can be easily seen as part of the...
The Cacophony of Donbas | 2018 Warsaw International Film Festival Review
Dissected Symphony: Minaev Deconstructs Soviet Propaganda with a dose of Humanism
Finding the one and the only cause of a big historical event, especially when...
