The results of the first Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of European-based filmmakers to receive some...
The Custody of Love: Kernell Returns with Emotionally Wrought Portrait of a Mother’s Love
Consider the standard, universally familiar (i.e., acceptable) narrative of fathers who...
Charter
Sweden’s Amanda Kernell is poised to debut her sophomore feature Charter in 2020, produced by Lars Lindstrom and Eva Akergren. Kernell reunites with her...
Black Bear
Gabi on the Roof in July (2010) and 2014's Wild Canaries (review) filmmaker Lawrence Michael Levine landed the likes of Sarah Gadon, Aubrey...
I Am Sami: Kernell Examines Sweden’s Colonialist History in Coming-of-Age Drama
Sweden of the 1930s was not the sterling template of Scandinavian progression for which...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.