Tag: Aňa Geislerová

Father (Otec) | 2025 Venice Film Festival Review

A Penance for Your Thoughts: Nvotová Jumps into Void without Societal Parachutes For her third feature, Father (Otec), Slovak filmmaker Tereza Nvotová delivers a psychologically immersive portrait...

Caravan | 2025 Cannes Film Festival Review

All About My Martyr: Kirchnerová’s Debut Finds the Journey is the Destination For her directorial debut, “Caravan,” Czech director Zuzana Kirchnerová weaves autobiographical elements into...

Havel | 2020 Warsaw International Film Festival Review

Polarizing Play: Horák’s Questionable Take on the Hero of the Velvet Revolution Covering the personal timeline of any major politician would be a daunting task...

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2026 Cannes Critics’ Panel: Day 3 – Ryusuke Hamaguchi’s All of a Sudden

The second Japanese filmmaker to premiere in the competition...

Parallel Tales (Histoires parallèles) | 2026 Cannes Film Festival Review

The Double Life of the Voyeurist: Farhadi Fails with...

Fatherland | 2026 Cannes Film Festival Review

Every Mann for Themselves: Pawlikowski Remains Chilly with Cold...

2026 Cannes Critics’ Panel: Day 2 – Asghar Farhadi’s ‘Parallel Tales’

After gaining international recognition with Berlinale entries in Silver...