All posts tagged "Charles Gillibert"
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Annual Top Films Lists
Top 100 Most Anticipated Foreign Films of 2022: #4. Pietro Marcello’s L’Envoi (Scarlet)
January 20, 2022L’Envoi Produced by Charles Gillibert Directed by Pietro Marcello Written by Pietro Marcello, Maurizio Braucci, Maud...
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Reviews
Bergman Island | Review
October 13, 2021The Passion of Mia: Hansen-Love Makes Her Own Place at the Table For her complex and...
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Reviews
Annette | Review
August 2, 2021Henry Fool: Music & Misogyny Explored in Glossy Return of Carax Like nearly all of Leos...
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Annual Top Films Lists
Top 100 Most Anticipated Foreign Films of 2021: #1. Leos Carax’s Annette
January 13, 2021Annette Produced by Charles Gillibert, Paul-Dominique Win Vacharasinthu Directed by Leos Carax Written by Ron Mael,...
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Annual Top Films Lists
Top 100 Most Anticipated Foreign Films of 2021: #25. Alain Guiraudie’s Viens je t’emmène
January 11, 2021Viens je t’emmène Produced by Charles Gillibert Directed by Alain Guiraudie Written by Alain Guiraudie, Laurent...
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Annual Top Films Lists
Top 100 Most Anticipated Foreign Films of 2021: #39. Mia Hansen-Løve’s Bergman Island
January 7, 2021Bergman Island Produced by Charles Gillibert, Rodrigo Teixeira, Erik Hemmendorff, Lisa Widén. Directed by Mia Hansen-Løve...
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Annual Top Films Lists
Top 150 Most Anticipated Foreign Films of 2020: #1. Annette – Leos Carax
January 4, 2020Annette Produced by Charles Gillibert, Paul-Dominique Win Vacharasinthu Directed by Leos Carax Written by Ron Mael,...
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Annual Top Films Lists
Top 150 Most Anticipated Foreign Films of 2020: #10. Bergman Island – Mia Hansen-Løve
January 3, 2020Bergman Island Produced by Charles Gillibert, Rodrigo Teixeira, Erik Hemmendorff, Lisa Widén. Directed by Mia Hansen-Løve...
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Annual Top Films Lists
Top 150 Most Anticipated Foreign Films of 2020: #149. Garçon chiffon – Nicolas Maury
December 30, 2019Garçon chiffon Actor Nicolas Maury makes his directorial debut with Garçon chiffon (in which he also...
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Reviews
Non-Fiction | Review
May 4, 2019The French Publisher’s Wife: Assayas Straddles Digital Criminals and Corporate Cannibals in Playful Bon Mot Hardly...