Tag: Kino Lorber

Croisette High Tide: Dumont’s “Slack Bay” Disappears into Kino Lorber Slate

Not to be outdone by SPC and IFC (they just nabbed films Mungiu’s Graduation and the Dardenne’s The Unknown Girl), it pays to have...

Lost Lost Lost & Walden | Blu-ray Review

Just before the start of reel 5 of Lost Lost Lost, Jonas Mekas' memoiric rumination on the memorial tolls of immigrant exile, he explains in simple terms...

Toddlerized Beat Generation: Kino Lorber Digs “The Kindergarten Teacher” from Sandbox

His allegorical, dense and at times discomforting sophomore film received a Special Screening slot during Cannes Film Fest's 2014 Critics' Week  (see our video...

Kino Lorber Get Behind the Wheel of Panahi’s Taxi

IndieWIRE reports that Kino Lorber has acquired the North American rights to Jafar Panahi's latest film, the third film (2011's This Is Not a Film...

Kino Lorber Sink Their Canines into Godard’s “Goodbye to Language”

Perhaps the most decisive film at the recent Cannes Film Festival, the Jury Prize winning Goodbye to Language has found a home in the U.S...

Kino Sing the Gospel; Tim Sutton’s “Memphis” to Receive Summer Release

Deemed the verite American indie film that has a stronger resemblance/likeness to Euro fare, indieWIRE reports that Kino will distribute the Tim Sutton's Venice...

Russian Ark | Blu-ray Review

Believed by Alexander Sokurov to be the only location in the world to truly represent both the history and culture of humanity, the Hermitage...

Health Nut: Kino Lorber Grabs Levon Helm Docu

Music video accidental docu-helmer Jacob Hatley will get to see his debut film, Ain't In It for My Health: A Film About Levon Helm...

Exclusive: Poster One-Sheet for Vikram Gandhi’s Kumaré

We've got your exclusive first look at the poster one-sheet for Vikram Gandhi's Kumaré - the 2011 Audience Award winner at SXSW and popular...

Popular

Interview: Katla Sólnes – Eruption / 2025 Sundance Screenwriters Lab Fellow

We had the chance to speak to a small...

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of...

Bring Them Down | Review

Everybody Hurts: All Pain and No Gain in Christopher...

Interview: Natalia León – Como si la tierra se las hubiera tragado (2025 Sundance Short)

A touching, sober, political and poignant text on femicide,...