Donkey Skin: Skolimowski Restages Bresson for the Modern Age
Robert Bresson’s 1966 film Au Hasard Balthazar is considered a masterpiece, though its reputation took a...
Eyes Without a Face: Szumowska Constructs a Christ Figure in Melancholic Farce
Love is a many splendored thing, albeit something often compromised or mutilated by...
Mug
Polish director Malgorzata Szumowska has been steadily making features since 2000, but her 2011 film Elles (read review) was an initial international breakout thanks to...