Exploring the intimate intersections of family, memory, and social constraint, often focusing on characters caught between personal desire and inherited structures, we first met...
No Man is an Island: Aris Explores Childhood, Couplehood and Parenthood with Flip Book Speeds
Lebanese filmmaker Cyril Aris utilizes the three distinct yet related...
Another vital writer's retreat on the film festival circuit unveiled their invites today - Italy’s TorinoFilmLab (TFL) selected a sweet sixteen film project for...
Arriving at TIFF after having premiered at the Venice Film Festival, first-time Lebanese filmmaker Mounia Akl who actually penned the screenplay with Clara Roquet...
Cherry picking the better titles from Cannes (winning titles such as Murina, Unclenching The Fists) and Venice, today TIFF programmers beefed up their Special...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.