Tag: Shan Zuolong

Resurrection | Review

In Dreams: Gan Explores a Century of the Cinematic Syndrome We are such stuff as dreams (and celluloid) are made on, according to the sumptuous...

2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse budgets, the upcoming Gotham Awards have set the stage for a compelling David vs. Goliath...

Love Is a Gun | 2023 Venice Film Festival Review

Lucky Number Seven: The Grabbing Hands Grab All They Can in Lee Hong-Chi’s Debut Working as both a crime film (non-gangster former life) and drama-soaked...

Video: Bi Gan’s Long Day’s Journey Into Night | 2018 Cannes Film Festival

Known has the 3D film (where glasses are applied around the midway point), the best film playing in Cannes this year and reserved for...

Video Interview: Bi Gan – Long Day’s Journey Into Night

After the critical success of his poetically wistful debut Kaili Blues in 2015, 29-year old Chinese auteur Bi Gan has followed up with a...

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Forever Your Maternal Animal | 2026 Cannes Film Festival Review

Only Mothers Left Alive: Maurel Funnels Dysfunctional Family Matters You...

Flesh and Fuel (Du Fioul dans les artères) | 2026 Cannes Film Festival Review

Paradise by the Dashboard Lights: Le Gall Finds Love...

Shana | 2026 Cannes Film Festival Review

Happy-Go-Mucky: Pinell Finds Purpose with a Woman in Transition “No...

2026 Cannes Critics’ Panel: Day 3 – Marie Kreutzer’s ‘Gentle Monster’

From Austria, Marie Kreutzer breaks into the Palme d'Or...